![]() ![]() Probably high time to get the program (if an eval is available) and see if I can "feel it" like I do forge. Some of the Jazz Cats I work with will lay some funky stuff and then ask to have a radio edit.and with those cymbal crashes, finding a good one takes quite a bit of patience!įunny thing though, I usually don't use crossfades often.I do it so old school it hurts. I actually have done "swing edits" which is a skill all by itself.artist laying a swing beat that is so far out there that subdividing in 128th notes or between them is crucial. I am definitely open to trying it! I have used SF since the very beginning and grown so accustomed to it. I would never even think about using SF6 the way I do Samp.Īctually I have not tried Samplitude 7. If you've ever used Vegas, editing in Samp is similar - only WAAAAAY better. But I've asked them about it in the past, and it seemed to be nowhere near their priority.Īs an ex-SF6 user, I have to ask.have you tried Samplitude 7? N/D editing in SF is not very easy - especially if you need to do any cross-fading (maybe they've improved it alot in v.7.?). The wonder of glossy advertising, I suppose.Īnyhow, That would be AMAZING if Wavelab came to the Mac.Īs for Samplitude, that would be the DAY. WHy that program still exists, when actually workable solutions fall to the wayside, boggles my fucking mind. You have to rewrite the whole fucking thing.Įssentially, Peak is to the PC, what Democrats think Nader is to the Republicans. Like Brad said, If only samplitude would come to the mac.Īlmost made me able to ignore the fact that I was on a PC.īut really, anything would be an improvement, anything. I mean, You'd think with all the "rip, mix, burn"ing going on, someone would want to put a quality fade on a file with out having to recut the individual songs in a different app! Oh, I suppose Jam *might* count, but really, it's just Toast with adjustable PQ. One that sucks (PEAK!), and the other that costs more than a decent set of speakers, yet supposedly still has issues.
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